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Sean T. Collins has written about comics and popular culture professionally since 2001 and on this very blog since 2003. He has written for Maxim, The Comics Journal, Stuff, Wizard, A&F Quarterly, Comic Book Resources, Giant, ToyFare, The Onion, The Comics Reporter and more. His comics have been published by Top Shelf, Partyka, and Family Style. He blogs here and at Robot 6.

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Murder

An anthology of comics written by Sean T. Collins
Art by Matt Wiegle, Matt Rota, and Josiah Leighton
Designed by Matt Wiegle


Elfworld

An indie fantasy anthology
Featuring a comic by Sean T. Collins & Matt Wiegle



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The Sean Collins Media Empire
Comics
Destructor Comes to Croc Town
story: Sean T. Collins
art: Matt Wiegle


1995 (NSFW)
script: Sean T. Collins
art: Raymond Suzuhara


Pornography
script: Sean T. Collins
art: Matt Wiegle


It Brought Me Some Peace of Mind
script: Sean T. Collins
art: Matt Rota
edit: Brett Warnock


A Real Gentle Knife
script: Sean T. Collins
art: Josiah Leighton
lyrics: "Rippin Kittin" by Golden Boy & Miss Kittin


The Real Killers Are Still Out There
script: Sean T. Collins
art: Matt Wiegle


Destructor in: Prison Break
story: Sean T. Collins
art: Matt Wiegle


Cage Variations: Kitchen Sink
script: Sean T. Collins
art: Matt Rota


Cage Variations: 1998 High Street
script: Sean T. Collins
art: Matt Rota


Cage Variations: We Had No Idea
script: Sean T. Collins
art: Matt Rota


The Side Effects of the Cocaine
script: Sean T. Collins
art: Isaac Moylan
(bibliography)


Cage Variations: No
script: Sean T. Collins
art: Matt Rota



Best Of
The Amazing! Incredible! Uncanny Oral History of Marvel Comics

The Outbreak: An Autobiographical Horror Blog

Where the Monsters Go: A 31-Day Horrorblogging Marathon, October 2003

Blog of Blood: A Marathon Examination of Clive Barker's Books of Blood, October 2005

The Blogslinger: Blogging Stephen King's The Dark Tower series, October-November 2007

The Things That Should Not Be: The Monumental Horror-Image and Its Relation to the Contemporary Horror Film (introduction)
PDF

My 35 Favorite Horror Films of All Time (at the moment)

My David Bowie Sketchbook

The Manly Movie Mamajama

Presidential Milkshakes

Horror and Certainty I

Horror and Certainty II

En Garde--I'll Let You Try My New Dumb Avant Garde Style, Part I
Part II

Evil for Thee, Not Me

Phobophobia

The 7 Best Horror Movies of the Past 7 Years (give or take a few films)

Keep Horror NSFW, Part I
Part II

Meet the New Boss: The Politics of Killing, Part I
Part II

130 Things I Loved About The Sopranos

In Defense of "Torture Porn," Part I
Part II

At a Loss: Lost fandom and its discontents

I Got Dem Ol' Konfuzin' Event-Komik Blues Again, Mama

Losing My Edge (DFADDTF Comix Remix)

GusGus, the Universe, and Everything

"I'd Rather Die Than Give You Control" (or Adolf Hitler, Quentin Tarantino, Eli Roth, and Trent Reznor walk into a blog)

The 11 Most Awful Songs from Geek Movie Soundtracks

The 11 Most Awesome Songs from Geek Movie Soundtracks

11 More Awesome Songs from Geek Movie Soundtracks

The 15 Greatest Science Fiction-Based Pop/Rock/Hip-Hop Songs

My Loch Ness Adventure

The Best Comics of 2003

The Best Albums of 2003

The Best Albums of 2004

The Best Comics of 2005

The Best Comics of 2006

The Best Comics, Films, Albums, Songs, and Television Programs of 2007

The Best Comics of 2008

The Best Comics of 2009

The Best Songs of 2009

80 Great Tracks from the 1990s


Interviews with Sean
Interviews by Sean
Movie Reviews
Avatar (Cameron, 2009)

Barton Fink (Coen, 1991)

Batman Begins (Nolan, 2005)

Battlestar Galactica: Razor (Alcala/Rose, 2007)

Battlestar Galactica: "Revelations" (Rymer, 2008)

Battlestar Galactica Season 4.5 (Moore et al, 2009)

Battlestar Galactica: The Plan (Olmos, 2009)

Beowulf (Zemeckis, 2007)

The Birds (Hitchcock, 1963)

The Blair Witch Project (Myrick & Sanchez, 1999)

The Bourne Identity (Liman, 2002)

The Bourne Supremacy (Greengrass, 2004)

The Bourne Ultimatum (Greengrass, 2007)

Casino Royale (Campbell, 2006)

Caprica: "Pilot" (Reiner, 2009)

Caprica S1 E1-6 (Moore et al, 2010)

Children of Men (Cuaron, 2006)

Cigarette Burns (Carpenter, 2005)

Clash of the Titans (Leterrier, 2010)

Cloverfield (Reeves, 2008), Part I
Part II
Part III
Part IV

Crank: High Voltage (Neveldine/Taylor, 2009)

Daredevil (Johnson, 2003)

The Dark Knight (Nolan, 2008)

Dawn of the Dead (Snyder, 2004)

Della'morte, Dell'amore [Cemetery Man] (Soavi, 1994)

The Diary of a Teenage Girl: The Play (Eckerling & Sunde, 2010)

District 9 (Blomkamp, 2009)

Doomsday (Marshall, 2008)

Dragon Wars [D-War] (Shim, 2007)

Eastern Promises (Cronenberg, 2007)

The Exorcist (Friedkin, 1973)

The Expendables (Stallone, 2010)

Eyes Wide Shut (Kubrick, 1999)

Eyes Wide Shut revisited, Part I
Part II
Part III

Garden State (Braff, 2004)

Gossip Girl Seasons 1-2 (Savage, Schwartz et al, 2007-08)

Gossip Girl Season Three (Savage, Schwartz et al, 2009-2010)

Grindhouse [Planet Terror/Death Proof] (Rodriguez & Tarantino, 2007)

Heavenly Creatures (Jackson, 1994)

Hellboy (Del Toro, 2004)

Hellraiser (Barker, 1987)

A History of Violence (Cronenberg, 2005), Part I
Part II

The Host (Bong, 2006)

Hostel (Roth, 2005)

Hostel: Part II (Roth, 2007)

Hulk (Lee, 2003)

The Hurt Locker (Bigelow, 2009)

I Am Legend (Lawrence, 2007)

The Incredible Hulk (Leterrier, 2008)

Inglourious Basterds (Tarantino, 2009)

Inside (Maury & Bustillo, 2007)

Iron Man (Favreau, 2008)

Iron Man II (Favreau, 2010)

It (Wallace, 1990)

Jeepers Creepers (Salva, 2001)

King Kong (Jackson, 2005), Part I
Part II
Part III

Land of the Dead (Romero, 2005)

Let the Right One In (Alfredson, 2008)

The Lord of the Rings: The Return of the King (Jackson, 2003)

Lost: the first five episodes (Abrams, Lindelof et al, 2004)

Lost Season Five (Lindelof, Cuse, Bender et al, 2009)

Lost Season Six (Lindelof, Cuse, Bender et al, 2010)

Lost Highway (Lynch, 1997)

The Lovely Bones (Jackson, 2009)

Match Point (Allen, 2006)

The Matrix Revolutions (Wachowski, 2003)

Metropolis (Lang, 1927)

The Mist (Darabont, 2007), Part I
Part II

Moon (Jones, 2009)

Mulholland Drive (Lynch, 2001)

My Bloody Valentine 3D (Lussier, 2009)

The Mystic Hands of Doctor Strange #1 (various, 2010)

Night of the Living Dead (Romero, 1968)

Pan's Labyrinth (Del Toro, 2006)

Paperhouse (Rose, 1988)

Paranormal Activity (Peli, 2009)

Pirates of the Caribbean: At World's End (Verbinski, 2007) Part I
Part II

Poltergeist (Hooper/Spielberg, 1982)

Quantum of Solace (Forster, 2008)

Rambo (Stallone, 2008)

[REC] (Balaguero & Plaza, 2007)

The Ring (Verbinski, 2002)

The Road (Hillcoat, 2009)

The Ruins (Smith, 2008)

Scott Pilgrim vs. the World (Wright, 2010)

Secretary (Shainberg, 2002)

A Serious Man (Coen, 2009)

The Shining (Kubrick, 1980)

Shoot 'Em Up (Davis, 2007)

Shutter Island (Scorses, 2010)

The Silence of the Lambs (Demme, 1991)

The Sopranos (Chase et al, 1999-2007)

Speed Racer (Wachowski, 2008)

The Stand (Garris, 1994), Part I
Part II

The Terminator (Cameron, 1984) Terminator 2: Judgment Day (Cameron, 1991)

Terminator Salvation (McG, 2009)

The Texas Chain Saw Massacre (Hooper, 1974)

There Will Be Blood (Anderson, 2007)

The Thing (Carpenter, 1983)

300 (Snyder, 2007)

"Thriller" (Jackson & Landis, 1984)

28 Days Later (Boyle, 2002)

28 Weeks Later (Fresnadillo, 2007)Part I
Part II

Twilight (Hardwicke, 2008)

The Twilight Saga: Eclipse (Slade, 2010)

The Twilight Saga: New Moon (Weitz, 2009)

Up in the Air (J. Reitman, 2009)

War of the Worlds (Spielberg, 2005)

Watchmen (Snyder, 2009) Part I
Part II

The Wicker Man (Hardy, 1973)

The Wire (Simon et al, 2002-2008)

Zombi 2 [Zombie] (Fulci, 1980)

Zombieland (Fleischer, 2009)


Book Reviews
Music Reviews
Comics Reviews
Abe Sapien: The Drowning (Mignola & Alexander, 2008)

Abstract Comics (various, 2009)

The ACME Novelty Library #18 (Ware, 2007)

The ACME Novelty Library #19 (Ware, 2008)

Across the Universe: The DC Universe Stories of Alan Moore (Moore et al, 2003)

Action Comics #870 (Johns & Frank, 2008)

The Adventures of Tintin: The Seven Crystal Balls (Herge, 1975)

Afrodisiac (Rugg & Maruca, 2010)

Against Pain (Rege Jr., 2008)

Agents of Atlas #10 (Parker, Hardman, Rivoche, 2009)

The Airy Tales (Volozova, 2008)

Al Burian Goes to Hell (Burian, 1993)

Alan's War (Guibert, 2008)

Alex Robinson's Lower Regions (Robinson, 2007)

Aline and the Others (Delisle, 2006)

All-Star Batman & Robin, the Boy Wonder Vol. 1 (Miller & Lee, 2009)

All-Star Superman (Morrison & Quitely, 2008-2010)

American Splendor: The Life and Times of Harvey Pekar (Pekar et al, 2003)

An Anthology of Graphic Fiction, Cartoons and True Stories (Brunetti et al, 2006)

An Anthology of Graphic Fiction, Cartoons and True Stories Vol. 2 (Brunetti et al, 2008)

Aqua Leung Vol. 1 (Smith & Maybury, 2008)

Archaeology (McShane, 2009)

The Arrival (Tan, 2006)

Artichoke Tales (Kelso, 2010)

Asterios Polyp (Mazzucchelli, 2009)

The Aviary (Tanner, 2007)

The Awake Field (Rege Jr., 2006)

Axe Cop (Nicolle & Nicolle, 2009-2010)

Bacter-Area (Keith Jones, 2005)

Bald Knob (Hankiewicz, 2007)

Batman (Simmons, 2007)

Batman #664-669, 672-675 (Morrison et al, 2007-2008)

Batman #681 (Morrison & Daniel, 2008)

Batman and the Monster Men (Wagner, 2006)

Batman and Robin #1 (Morrison & Quitely, 2009)

Batman and Robin #9 (Morrison & Stewart, 2010)

Batman: Hush (Loeb & Lee, 2002-03)

Batman: Knightfall Part One: Broken Bat (Dixon, Moench, Aparo, Balent, Breyfogle, Nolan, 1993)

Batman R.I.P. (Morrison, Daniel, Garbett, 2010)

Batman: The Story of the Dark Knight (Cosentino, 2008)

Batman Year 100 (Pope, 2007)

Battlestack Galacti-crap (Chippendale, 2005)

The Beast Mother (Davis, 2006)

The Best American Comics 2006 (A.E. Moore, Pekar et al, 2006)

The Best of the Spirit (Eisner, 2005)

Between Four Walls/The Room (Mattotti, 2003)

Big Questions #10 (Nilsen, 2007)

Big Questions #11: Sweetness and Light (Nilsen, 2008)

Big Questions #12: A Young Crow's Guide to Hunting (Nilsen, 2009)

Big Questions #13: A House That Floats (Nilsen, 2009)

Big Questions #14: Title and Deed (Nilsen, 2010)

The Black Diamond Detective Agency (E. Campbell & Mitchell, 2007)

Black Ghost Apple Factory (Tinder, 2006)

Black Hole (Burns, 2005) Giant Magazine version

Black Hole (Burns, 2005) Savage Critics version, Part I
Part II

Blackest Night #0-2 (Johns & Reis, 2009)

Blankets (Thompson, 2003)

Blankets revisited

Blar (Weing, 2005)

Bone (Smith, 2005)

Bonus ? Comics (Huizenga, 2009)

The Book of Genesis Illustrated (Crumb, 2009)

Bottomless Bellybutton (Shaw, 2008)

Boy's Club (Furie, 2006)

Boy's Club 2 (Furie, 2008)

Boy's Club 3 (Furie, 2009)

B.P.R.D. Vol. 9: 1946 (Mignola, Dysart, Azaceta, 2008)

B.P.R.D.: War on Frogs #4 (Arcudi & Snejbjerg, 2009)

Breakdowns: Portrait of the Artist as a Young %@&*! (Spiegelman, 2008)

Brilliantly Ham-fisted (Neely, 2008)

Burma Chronicles (Delisle, 2008)

Capacity (Ellsworth, 2008)

Captain America (Brubaker, Epting, Perkins et al, 2004-2008)

Captain America #33-34 (Brubaker & Epting, 2007-08)

Captain America: Reborn #4 (Brubaker & Hitch, 2009)

Captain Britain & MI:13 #5 (Cornell & Oliffe, 2008)

Cartoon Dialectics Vol. 1 (Kaczynski, 2007)

Chance in Hell (G. Hernandez, 2007)

Chester 5000 XYV (Fink, 2008-2009)

Chrome Fetus Comics #7 (Rickheit, 2009)

City-Hunter Magazine #1 (C.F., 2009)

Clive Barker's Seduth (Barker, Monfette, Rodriguez, Zone, 2009)

Clive Barker's The Thief of Always (Oprisko & Hernandez, 2005)

Closed Caption Comics #8 (various, 2009)

Cockbone (Simmons, 2009)

Cold Heat #1 (BJ & Santoro, 2006)

Cold Heat #2 (BJ & Santoro, 2006)

Cold Heat #4 (BJ & Santoro, 2007)

Cold Heat #5/6 (BJ & Santoro, 2009)

Cold Heat #7/8 (BJ & Santoro, 2009)

Cold Heat Special #2: The Chunky Gnars (Cornwell, 2007)

Cold Heat Special #3 (Santoro & Shaw, 2008)

Cold Heat Special #5 (Santoro & Smith, 2008)

Cold Heat Special #6 (Cornwell, 2009)

Cold Heat Special #7 (DeForge, 2009)

Cold Heat Special #8 (Santoro & Milburn, 2008)

Cold Heat Special #9 (Santoro & Milburn, 2009)

Comics Are For Idiots!: Blecky Yuckerella Vol. 3 (Ryan, 2008)

The Complete Persepolis (Satrapi, 2007)

Core of Caligula (C.F., 2008)

Crossing the Empty Quarter and Other Stories (Swain, 2009)

Cry Yourself to Sleep (Tinder, 2006)

Curio Cabinet (Brodowski, 2010)

Cyclone Bill & the Tall Tales (Dougherty, 2006)

Daredevil #103-104 (Brubaker & Lark, 2007-08)

Daredevil #110 (Brubaker, Rucka, Lark, Gaudiano, 2008)

The Dark Knight Strikes Again (Miller & Varley, 2003)

Dark Reign: The List #7--Wolverine (Aaron & Ribic, 2009)

Daybreak Episode Three (Ralph, 2008)

DC Universe #0 (Morrison, Johns et al, 2008)

The Death of Superman (Jurgens et al, 1993)

Death Note Vol. 1 (Ohba & Obata, 2005)

Death Note Vol. 2 (Ohba & Obata, 2005)

Death Trap (Milburn, 2010)

Detective Comics #854-860 (Rucka & Williams III, 2009-2010)

The Diary of a Teenage Girl (Gloeckner, 2002)

Dirtbags, Mallchicks & Motorbikes (Kiersh, 2009)

Don't Go Where I Can't Follow (Nilsen & Weaver, 2006)

Doom Force #1 (Morrison et al, 1992)

Doomwar #1 (Maberry & Eaton, 2010)

Dr. Seuss Goes to War (Seuss/Minear, 2001)

Dragon Head Vols. 1-5 (Mochizuki, 2005-2007)

A Drifting Life (Tatsumi, 2009)

Driven by Lemons (Cotter, 2009)

Eightball #23 (Clowes, 2004)

Ex Machina Vols. 1-9 (Vaughan, Harris et al, 2005-2010)

Exit Wounds (Modan, 2007)

The Exterminators Vol. 1: Bug Brothers (Oliver & Moore, 2006)

Fallen Angel (Robel, 2006)

Fandancer (Grogan, 2010)

Fatal Faux-Pas (Gaskin, 2008)

FCHS (Delsante & Freire, 2010)

Feeble Minded Funnies/My Best Pet (Milburn/Freibert, 2009)

Fight or Run: Shadow of the Chopper (Huizenga, 2008)

Final Crisis #1 (Morrison & Jones, 2008)

Final Crisis #1-7 (Morrison, Jones, Pacheco, Rudy, Mahnke et al, 2008-2009)

Fires (Mattotti, 1991)

First Time (Sibylline et al, 2009)

Flash: Rebirth #4 (Johns & Van Sciver, 2009)

Follow Me (Moynihan, 2009)

Footnotes in Gaza (Sacco, 2009)

Forbidden Worlds #114: "A Little Fat Nothing Named Herbie!" (O'Shea [Hughes] & Whitney, 1963)

Forlorn Funnies #5 (Hornschemeier, 2004)

Forming (Moynihan, 2009-2010)

Fox Bunny Funny (Hartzell, 2007)

Funny Misshapen Body (Brown, 2009)

Gags (DeForge)

Galactikrap 2 (Chippendale, 2007)

Ganges #2 (Huizenga, 2008)

Ganges #3 (Huizenga, 2009)

Gangsta Rap Posse #1 (Marra, 2009)

The Gigantic Robot (Gauld, 2009)

Giraffes in My Hair: A Rock 'n' Roll Life (Paley & Swain, 2009)

A God Somewhere (Arcudi & Snejbjerg, 2010)

Goddess Head (Shaw, 2006)

The Goddess of War, Vol. 1 (Weinstein, 2008)

GoGo Monster (Matsumoto, 2009)

The Goon Vols. 0-2 (Powell, 2003-2004)

Green Lantern #43-51 (Johns, Mahnke, Benes, 2009-2010)

Held Sinister (Stechschulte, 2009)

Hellboy Junior (Mignola, Wray et al, 2004)

Hellboy Vol. 8: Darkness Calls (Mignola & Fegredo, 2008)

Henry & Glenn Forever (Neely et al, 2010)

High Moon Vol. 1 (Gallaher & Ellis, 2009)

Ho! (Brunetti, 2009)

How We Sleep (Davis, 2006)

I Killed Adolf Hitler (Jason, 2007)

I Live Here (Kirshner, MacKinnon, Shoebridge, Simons et al, 2008)

I Shall Destroy All the Civilized Planets! (Hanks, Karasik, 2007)

Image United #1 (Kirkman, Liefeld et al, 2009)

The Immortal Iron Fist #12 (Brubaker, Fraction, Aja, Kano, Pulido, 2008)

The Immortal Iron Fist #21 (Swierczynski & Green, 2008)

Immortal Weapons #1 (Aaron, Swierczynski et al, 2009)

In a Land of Magic (Simmons, 2009)

In the Flesh: Stories (Shadmi, 2009)

Incanto (Santoro, 2006)

Incredible Change-Bots (Brown, 2007)

The Incredible Hercules #114-115 (Pak, Van Lente, Pham, 2008)

Inkweed (Wright, 2008)

Invincible Vols. 1-9 (Kirkman, Walker, Ottley, 2003-2008)

Invincible Iron Man #1-4 (Fraction & Larroca, 2008)

Invincible Iron Man #8 (Fraction & Larroca, 2008)

Invincible Iron Man #19 (Fraction & Larroca, 2009)

It Was the War of the Trenches (Tardi, 2010)

It's Sexy When People Know Your Name (Hannawalt, 2007)

Jessica Farm Vol. 1 (Simmons, 2008)

Jin & Jam #1 (Jo, 2009)

JLA Classified: Ultramarine Corps (Morrison & McGuinness, 2002)

Julius Knipl, Real Estate Photographer (Katchor, 1996)

Jumbly Junkery #8-9 (Nichols, 2009-2010)

Just a Man #1 (Mitchell & White, 2009)

Justice League: The New Frontier Special (Cooke, Bone, Bullock, 2008)

Keeping Two (Crane, 2001-)

Kick-Ass #1-4 (Millar & Romita Jr., 2008)

Kid Eternity (Morrison & Fegredo, 1991)

Kill Your Boyfriend (Morrison & Bond, 1995)

King-Cat Comics and Stories #69 (Porcellino, 2008)

Kramers Ergot 4 (Harkham et al, 2003)

Kramers Ergot 5 (Harkham et al, 2004)

Kramers Ergot 6 (Harkham et al, 2006)

Kramers Ergot 7 (Harkham et al, 2008)

The Lagoon (Carre, 2008)

The Last Call Vol. 1 (Lolos, 2007)

The Last Lonely Saturday (Crane, 2000)

The Last Musketeer (Jason, 2008)

The League of Extraordinary Gentlemen: Black Dossier (Moore & O'Neill, 2007)

The League of Extraordinary Gentlemen Vol. 3: Century #1: 1910 (Moore & O'Neill, 2009)

Legion of Super-Heroes: The Great Darkness Saga (Levitz, Giffen, Mahlstedt, Bruning, 1991)

Little Things (Brown, 2008)

Look Out!! Monsters #1 (Grogan, 2008)

Lose #1-2 (DeForge, 2009-2010)

Lost Kisses #9 & 10 (Mitchell, 2009)

Love and Rockets: New Stories #1 (Los Bros Hernandez, 2008)

Low Moon (Jason, 2009)

The Mage's Tower (Milburn, 2008)

Maggots (Chippendale, 2007)

The Man with the Getaway Face (Cooke, 2010)

Mattie & Dodi (Davis, 2006)

McSweeney's Quarterly Concern #13 (Ware et al, 2004)

Mercury (Larson, 2010)

Mesmo Delivery (Grampa, 2008)

Micrographica (French, 2007)

Mister Wonderful (Clowes, 2007-2008)

Mome Vol. 4: Spring/Summer 2006 (various, 2006)

Mome Vol. 9: Fall 2007 (various, 2007)

Mome Vol. 10: Winter/Spring 2008 (various, 2008)

Mome Vol. 11: Summer 2008 (various, 2008)

Mome Vol. 12: Fall 2008 (various, 2008)

Mome Vol. 13: Winter 2009 (various, 2008)

Mome Vol. 14: Spring 2009 (various, 2009)

Mome Vol. 15: Summer 2009 (various, 2009)

Mome Vol. 16: Fall 2009 (various, 2009)

Mome Vol. 17: Winter 2010 (various, 2009)

Mome Vol. 18: Spring 2010 (various, 2010)

Mome Vol. 19: Summer 2010 (various, 2010)

Monkey & Spoon (Lia, 2004)

Monster Men Bureiko Lullaby (Nemoto, 2008)

Monsters (Dahl, 2009)

Monsters & Condiments (Wiegle, 2009)

Monstrosity Mini (Diaz, 2010)

Mother, Come Home (Hornschemeier, 2003)

The Mourning Star Vols. 1 & 2 (Strzepek, 2006 & 2009)

Mouse Guard: Fall 1152 (Petersen, 2008)

Mr. Cellar's Attic (Freibert, 2010)

Multiforce (Brinkman, 2009)

Multiple Warheads #1 (Graham, 2007)

My Brain Is Hanging Upside Down (Heatley, 2008)

The Mystery of Woolverine Woo-Bait (Coleman, 2004)

Naoki Urasawa's Monster Vols. 1-3 (Urasawa, 2006)

Naoki Urasawa's Monster Vols. 4-5 (Urasawa, 2006)

Naoki Urasawa's Monster Vols. 6-18 (Urasawa, 2006-2008)

Naoki Urasawa's 20th Century Boys Vols. 1-3 (Urasawa, 2009)

Naoki Urasawa's 20th Century Boys Vols. 4 & 5 (Urasawa, 2009)

Neely Covers Comics to Give You the Creeps! (Neely, 2010)

Neighbourhood Sacrifice (Davidson, DeForge, Gill, 2009)

Never Ending Summer (Cole, 2004)

Never Learn Anything from History (Beaton, 2009)

Neverland (Kiersh, 2008)

New Avengers #44 (Bendis & Tan, 2008)

New Construction #2 (Huizenga, May, Zettwoch, 2008)

New Engineering (Yokoyama, 2007)

New Painting and Drawing (Jones, 2008)

New X-Men Vol. 6: Planet X (Morrison & Jimenez, 2004)

New X-Men Vol. 7: Here Comes Tomorrow (Morrison & Silvestri, 2004)

Nicolas (Girard, 2008)

Night Business #1 & 2 (Marra, 2008 & 2009)

Night Business #3 (Marra, 2010)

Nil: A Land Beyond Belief (Turner, 2007)

Ninja (Chippendale, 2006)

Nocturnal Conspiracies (David B., 2008)

not simple (Ono, 2010)

The Numbers of the Beasts (Cheng, 2010)

Ojingogo (Forsythe, 2008)

Olde Tales Vol. II (Milburn, 2007)

One Model Nation (Taylor, Leitch, Rugg, Porter, 2009)

Or Else #5 (Huizenga, 2008)

The Other Side #1-2 (Aaron & Stewart, 2005)

Owly Vol. 4: A Time to Be Brave (Runton, 2007)

Owly Vol. 5: Tiny Tales (Runton, 2008)

Paper Blog Update Supplemental Postcard Set Sticker Pack (Nilsen, 2009)

Paradise Kiss Vols. 1-5 (Yazawa, 2002-2004)

The Perry Bible Fellowship Almanack (Gurewitch, 2009)

Peter's Muscle (DeForge, 2010)

Pim & Francie: The Golden Bear Days (Columbia, 2009)

Pixu I (Ba, Cloonan, Lolos, Moon, 2008)

Pizzeria Kamikaze (Keret & A. Hanuka, 2006)

Plague Hero (Adebimpe, 2009)

Planetary Book 3: Leaving the 20th Century (Ellis & Cassaday, 2005)

Planetes Vols. 1-3 (Yukimura, 2003-2004)

The Plot: The Secret Story of The Protocols of the Elders of Zion (Eisner, 2005)

Pluto: Urasawa x Tezuka Vols. 1-3 (Urasawa, Nagasaki, Tezuka, 2009)

Pluto: Urasawa x Tezuka Vols. 1-8 (Urasawa, Nagasaki, Tezuka, 2009-2010)

Pocket Full of Rain and Other Stories (Jason, 2008)

pood #1 (various, 2010)

Powr Mastrs Vol. 1 (C.F., 2007)

Powr Mastrs Vol. 2 (C.F., 2008)

Prison Pit: Book 1 (Ryan, 2009)

Prison Pit: Book 2 (Ryan, 2010)

Real Stuff (Eichhorn et al, 2004)

Red Riding Hood Redux (Krug, 2009)

Refresh, Refresh (Novgorodoff, Ponsoldt, Pierce, 2009)

Remake (Abrams, 2009)

Reykjavik (Rehr, 2009)

Ronin (Miller, 1984)

Rumbling Chapter Two (Huizenga, 2009)

The San Francisco Panorama Comics Section (various, 2010)

Scott Pilgrim Full-Colour Odds & Ends 2008 (O'Malley, 2008)

Scott Pilgrim Vol. 4: Scott Pilgrim Gets It Together (O'Malley, 2007)

Scott Piglrim Vol. 5: Scott Pilgrim vs. the Universe (O'Malley, 2009)

Scott Pilgrim Vol. 6: Scott Pilgrim's Finest Hour (O'Malley, 2010)

Second Thoughts (Asker, 2009)

Service Industry (Bak, 2007)

Set to Sea (Weing, 2010)

Seven Soldiers of Victory Vols. 1-4 (Morrison et al, 2004)

Shenzhen (Delisle, 2008)

S.H.I.E.L.D. #1 (Hickman & Weaver, 2010)

Shitbeams on the Loose #2 (various, 2010)

Show Off (Burrier, 2009)

Siege (Bendis & Coipel, 2010)

Siberia (Maslov, 2008)

Skim (Tamaki & Tamaki, 2008)

Skyscrapers of the Midwest (Cotter, 2008)

Skyscrapers of the Midwest #4 (Cotter, 2007)

Sleeper Car (Ellsworth, 2009)

Sloe Black (DeForge)

Slow Storm (Novgorodoff, 2008)

Snake 'n' Bacon's Cartoon Cabaret (Kupperman, 2000)

Snake Oil #5: Wolf (Forsman, 2009)

Snow Time (Krug, 2010)

Solanin (Asano, 2008)

Soldier X #1-8 (Macan & Kordey, 2002-2003)

Speak of the Devil (G. Hernandez, 2008)

Spider-Man: Fever #1 (McCarthy, 2010)

Split Lip Vol. 1 (Costello et al, 2009)

Squadron Supreme (Gruenwald et al, 1986)

The Squirrel Machine (Rickheit, 2009)

Stay Away from Other People (Hannawalt, 2008)

Storeyville (Santoro, 2007)

Strangeways: Murder Moon (Maxwell, Garagna, Gervasio, Jok, 2008)

Studio Visit (McShane, 2010)

Stuffed! (Eichler & Bertozzi, 2009)

Sulk Vol. 1: Bighead & Friends (J. Brown, 2009)

Sulk Vol. 2: Deadly Awesome (J. Brown, 2009)

Sulk Vol. 3: The Kind of Strength That Comes from Madness (Brown, 2009)

Superman #677-680 (Robinson & Guedes, 2008)

Supermen! The First Wave of Comic Book Heroes 1936-1941 (Sadowski et al, 2009)

Sweet Tooth #1 (Lemire, 2009)

Tales Designed to Thrizzle #4 (Kupperman, 2008)

Tales Designed to Thrizzle #5 (Kupperman, 2009)

Tales Designed to Thrizzle #6 (Kupperman, 2010)

Tales of Woodsman Pete (Carre, 2006)

Tekkon Kinkreet: Black and White (Matsumoto, 2007)

Teratoid Heights (Brinkman, 2003) ADDTF version

Teratoid Heights (Brinkman, 2003) TCJ version

They Moved My Bowl (Barsotti, 2007)

Thor: Ages of Thunder (Fraction, Zircher, Evans, 2008)

Three Shadows (Pedrosa, 2008)

Tokyo Tribes Vols. 1 & 2 (Inoue, 2005)

Top 10: The Forty-Niners (Moore & Ha, 2005)

Travel (Yokoyama, 2008)

Trigger #1 (Bertino, 2010)

The Troll King (Karlsson, 2010)

Two Eyes of the Beautiful (Smith, 2010)

Ultimate Comics Avengers #1 (Millar & Pacheco, 2009)

Ultimate Comics Spider-Man #1 (Bendis & LaFuente, 2009)

Ultimate Spider-Man #131 (Bendis & Immonen, 2009)

The Umbrella Academy: Apocalypse Suite (Way & Ba, 2008)

Uptight #3 (Crane, 2009)

Wally Gropius (Hensley, 2010)

Watchmen (Moore & Gibbons, 1987) Part I
Part II

Water Baby (R. Campbell, 2008)

Weathercraft (Woodring, 2010)

Werewolves of Montpellier (Jason, 2010)

Wednesday Comics #1 (various, 2009)

West Coast Blues (Tardi & Manchette, 2009)

Wet Moon, Book 1: Feeble Wanderings (Campbell, 2004)

Wet Moon, Book 2: Unseen Feet (Campbell, 2006)

Weird Schmeird #2 (Smith, 2010)

What Had Happened Was... (Collardey, 2009)

Where Demented Wented (Hayes, 2008)

Where's Waldo? The Fantastic Journey (Handford, 2007)

Whiskey Jack & Kid Coyote Meet the King of Stink (Cheng, 2009)

Wiegle for Tarzan (Wiegle, 2010)

Wilson (Clowes, 2010)

The Winter Men (Lewis & Leon, 2010)

The Witness (Hob, 2008)

Wormdye (Espey, 2008)

Worms #4 (Mitchell & Traub, 2009)

Worn Tuff Elbow (Marc Bell, 2004)

The Would-Be Bridegrooms (Cheng, 2007)

XO #5 (Mitchell & Gardner, 2009)

You Are There (Forest & Tardi, 2009)

You'll Never Know Book One: A Good and Decent Man (Tyler, 2009)

Young Lions (Larmee, 2010)

Your Disease Spread Quick (Neely, 2008)

The Trouble with The Comics Journal's News Watch, Part I
Part II


Recommended

KEEP COMICS EVIL


Lost thoughts (Attentiondeficitdisorderly Too Flat)

March 9, 2010

Lost thoughts

SPOILERS SPOILERS SPOILERS HO

* "May I please see the storage facility, Mr. Venkman?"

* Here's a phrase I never expected to hear in conjunction with Lost: "Directed by Mario Van Peebles."

* Tania Raymonde = Great Googly Moogly

* It would be odd of Ben's dad (legitimately great make-up job on Uncle Rico/the werewolf, by the way) to suggest that their life would have improved if they'd stayed on the Island had a nuclear bomb gone off and sunk it to the bottom of the sea, right?

* But who knows what kind of strange rules apply in a world where high school principals exercise dictatorial control over the budget and teachers jockey for power to replace them in the middle of a school year.

* Arzt is getting annoying. (Getting?--Ed.) I sort of wish Locke had been the guy riding shotgun with Dr. Linus's scheme to take down Principal Walter Peck, but I suppose that sets up all kinds of parallels they weren't prepared to do.

* I also sort of wish Illana weren't such a pivotal character right now, because we have so little to go on with her. We're less attached to her than to any other surviving character on the entire show. She is to the cast what the Temple set is to Lost sets.

* One way I could tell in this episode that things are moving to a head is that they had two climactic confrontations: Jack and Richard, and Ben and Ilana. Either could easily have been the focal point of an entire episode, and would have been, in an earlier season--or hell, earlier in this one.

* As it stood, I think I preferred the Jack and Richard scene. I loved seeing both men pushed past their limits: Richard in panicked despair, divided between shadow and light as he frantically explains why he's now so desperate to die; Jack in crazy-eyed, careless confidence, bound and determined to find out the reason he's now so sure he has to be there, a Man of Faith to rival Locke from earlier in the show. Good stuff.

* Ben's scene was as well-acted as you'd expect from Michael Emerson, and I bought it, but again, using Ilana as his foil made it feel like a dress rehearsal rather than closing night. Imagine if his interlocutor had been Locke, Jack, Kate, Sawyer, or Richard. (Moreover, you'd think Miles, Lapidus, or Sun would have something to say about forcing a man, even Ben, to dig his own grave.)

* So maybe the episode was a bit...off-balance? Given the subject of the flash-sideways, Ben's story should have been the main one. But you had a big moment with Jack, Richard, and Hurley, while Fake Locke showed up as well. It dulled the impact.

* I always enjoy a good slow-motion smiley reunion scene on this show. With all the team-ups and split-ups and bumping into each other in the jungle and storming off in a huff that goes down, it's occasionally nice to get a reminder that a lot of these people really like each other, or did at one point, and care about one another. We care about them too!

* Miles psychically detecting Nikki & Paulo's diamonds was a hoot. It was like the writers raced to pick up something even the most die-hard fans wouldn't have put together. (That said, I'm sure someone said "hey, wouldn't Miles notice Nikki & Paulo's diamonds?" before, but I almost feel bad for that person.) Would have been nice if he noted they'd been buried alive, but still.

* So Fake Locke's posse is on Hydra Island, huh? I wonder if Sawyer and Kate will have one last roll in the polar bear cage, for old times' sake.

Comments (27)

Seriously--Mario Van fucking Peebles!


Totes the werewolf! "heeee's gonna kill your son!"


--Miles did say that Nikki and Paolo were buried alive (it was awesome).

--I agree with all of your points in favor of this episode, particularly the Tania Raymonde and the reunion scene. In an episode full of callbacks to early-season locations and people (the beach, the Black Rock, Arzt, Nikki & Paolo), it was nice to also get a callback to one of the major narrative tropes of seasons 1 and 2. (While rewatching the early seasons recently, I found the general season 1 thrust of "strangers becoming friends," and all the partings and reunions that went along with it, extremely affecting. The high point slow-mo-reunion-wise of course was the Rose/Bernard reunion in season 2.)

--In general though I think I liked this episode a lot more than you did. My tolerance for Arzt is probably higher, for one thing. But while I take your point on Illana, I actually think making her a part of such an important moment for Ben went a long way toward making me care about her. Even though there's so much we don't know about her and her relationship with Jacob, just seeing her listen to and empathize with Ben filled in a lot of the blanks. (And just from a plot standpoint, there's nobody else he could have made that confession to except maybe Richard--none of the other characters give enough of a shit about Jacob to care.)

--Richard and Jack in the Black Rock was incredible. I don't understand people who don't like Jack, or who think he's just some square-jawed whitebread hero type.

--And Hurley! "If you need me, I'll be like a mile away." HA HA HA HA HA

--And then that periscope popping up out of the water like something out of the old Batman TV show! Yes! And Widmore! YES

--I think the real question here though is how Danielle Rousseau's kid ended up going to public school in LA.


I would have enjoyed that episode a lot more if I'd realized that was William Atherton. Dammit!

One thing I realized: we got the answer to at least one mystery last night. We now know why Ben stopped Locke from committing suicide, then killed him - Candidates can't kill themselves, but they can be murdered!


Simon:


That was a fun one. It played the emotional angle hard, which worked really well for me, at least, distracting me from some of its flaws enough that I could really enjoy it.

Stray thoughts:

--Hey, it's Professor Hathaway! Don't bother blackmailing him, Ben, just fill his office with popcorn!

--On a related note, this show sure loves employing character actors from the 80s: William Atherton, Fisher Stevens, et al.

--Old Roger Linus is sad.

--VERY happy that they didn't make Alex into the pervert principal's prey, which would have just been WAY TOO MUCH. Nice fakeout.

--It almost made up for the laziness of getting the proof by enlisting Arzt to "hack in" to the email server. It can slide because it's just a means to an end, but ugh.

--Does Richard's directive not to trust Jacob suggest that he is Nemesis?


First and foremost, how the hell did I whiff on bringing up the FUCKING SUBMARINE PERISCOPE at the end? I laughed and cheered. WHY NOT end the episode with the characters being spied on by a goddamn submarine? At times, Lost reminds me of He-Man, or comics like Scott Pilgrim and The Immortal Iron Fist and Green Lantern and so on: "Here's a framework into which we can comfortably insert a wide variety of awesome things, because why not."

Also, a reminder: DO NOT DISCUSS THE "NEXT WEEK ON LOST" TEASERS IN THESE THREADS. Please and thank you.

Gardner:

* I'm glad I'm not the only person who loves those slow-mo reunions. Like I was saying, everyone's so scattered most of the time, and generally suspicious and hostile when they're together, that it was really, aw hell, touching to be reminded that some of these people love each other.

* Part of my problem with Ilana is that Zuleika Robinson isn't all that interesting to me. I can't say she was miscast, because as I said we still have no real idea what Ilana's point is, but it's not a performance that's making me hungry for more.

* My impression as to people's problem with Jack isn't that they think he's too square-jawed, but that he's too emo/too much of a fuck-up/too annoying/too much of a dick/doesn't ask the right questions/etc. In essence, that he's a failure as a hero. But of course that's what I find so fascinating about him! And I have to say that Matthew Fox has made him consistently interesting in that regard. I love looking at him as he falls to pieces time and time again. In this case, we got to see him put himself together in a whole new shape, and it was great TV.

* While we're on the subject, Nestor Carbonell is really gettin' it done with panicked, shattered Richard. Fine work.

Justin: Did Ben KNOW about the concept of "Candidates," or that Locke was one? Other than that, nice deduction.

Simon:

* Alternately, Ben could have hired Bonnie Bedelia to coldcock Principal Reynolds. Or covered him in Dharma-brand melted marshmallow goop.

* Agreed on it being a good thing Alex wasn't Principal Reynolds' target of perversion. Because, honestly, Tania Raymonde--could you blame him?

* Pretty much everything about the high school storyline was inaccurate, yeah. My wife and mother are/were both teachers, and my mom was a principal too, so it got very distracting.

* Richard saying not to trust Jacob was a function of his whole sob story, in which Jacob proved not to be terribly trustworthy. I wouldn't read more into it than that.


After I deduced that, I read the comments thread over at Sepinwall's blog, and several commenters noted several other instances where characters were prevented from committing suicide, including Michael being supernaturally unable to. Are we to assume, then, that barring murder, all the castaways would live forever now?

Also, why were extreme coincidences involved in getting Eko to the island as if he were a candidate if he wasn't a candidate, which I'm assuming is the case since Smokey was able to kill him directly? Or is Smokey somehow the method by which candidates are judged? Maybe this whole thing is an elaborate test, but Smokey took the direct route to judging Eko and found him wanting?


I'm especially curious as well why the hell Rousseau's kid is in LA. I spent every moment she was on-screen trying to piece together a story why - was Danielle's team actually from France? I couldn't remember - and realized in the middle of doing that that yup, I love this show so so much. Because it's got me so invested in nearly every single character that's ever been on-screen. Danielle's been dead for what, two seasons now? Yet I miss her and find myself hoping she pops up soon in Sideways-LA. She deserves a better damn fate too, and I'm psyched that she might get one now.

I like Ilana but I'm not sure why. There were competing hollers in my living-room in that scene between her and Ben - I was screaming for Ben not to dare shoot, while my bf was screaming for him to pull the trigger. It's an interactive sport, watching Lost in my house.

Did anybody else keep expecting the faulty science equipment in Arzt's lab to blow him up?


Tom Spurgeon:

That girl's running was terrible. Benjamin Linus would have been a half-mile ahead.

Sean, I would think folding in new characters into scenes like that is something you'd like because it's more realistic than having the same old characters end up in conflict because they're the main characters.


Ben Morse:

I try to avoid doing any sort of larger mythology theorizing based around Eko, Justin, since he was the one that got away actor-wise.


True, Ben. But they could have killed Eko in many ways - he was the first person since the pilot, if I recall correctly, to be directly killed by Smokey. That suggests some thought put into it.


This episode was relevant to my interests. Last one was so-so for me but this one made up for it.

-- Sean, I hear you about the episode being off balance, but that's what made it interesting for me. I wasn't really sure where it was going, and that made the slow-mo piano reunion sequence at the end all the more affecting. After all that, I was ready to hit the beach as well.

-- Jersey Shore-style fist pump for the return of Charles Widmore, and his conveyance worthy of Blofeld.

-- Richard says he didn't age because Jacob touched him. We've seen Jacob touch other characters, too.

-- Loved Jack's turn in this episode. Did his scene inside the Black Rock bring to mind Tom Cruise in the throes of Scientology for anyone else? In a great, creepy way.

-- People complain about Jack, and other characters, because they walk away from the big questions. (I've done my share of bitching too.) In this episode, Richard gave Jack an out to walk away again, and he STAYED! In the face of a burning fuse! That was hugely satisfying. It wouldn't have been as great if he has been directly confronting mysteries at every turn. So I gotta give the creators that.

Jack has been a bit mopey since the bomb plot failed. I'm hoping he's gotten a dose of renewed purpose now, because that's the Jack I loved. Just like you say Sean, he's putting himself together all over again...

-- The dodge ball teams are coming into focus. MIB and his wrecking crew of Claire, Sayid, and Sawyer on Hydra. Jack, Hurley, Miles, Lapidus, Sun, Illyana, and Ben on the beach. I wonder if it's signifigant that Beach Squad features characters who have been wrestling with crises of faith (Jack, Richard, Ben) while Team Hydra consists of characters who have basically said fuck it, I'm done with this bullshit, I want results (Sayid, Sawyer).

-- Seems likely that Jin will get shanghaied to Hydra and the reunion with Sun will take awhile...maybe until the end of the season. Jin is dedicated to finding Sun and I don't see that changing, but it would be an interesting to see him convert to Team Hydra. Kwon against Kwon.

-- Kate is another wild card. What will the MIB offer her? Does he care?

-- The MIB (in the guise of Locke) has been disdainful of the island in the past. Yet he sought out someone to take care of the island when he was gone. Was this a trick on Ben, or does the island have a higher purpose that even the MIB respects?

-- This is the episode where all my theories about the flash-sideways went off the rails. I mean, Ben and Locke and Arzt AND Alex at the same school? There seems to be some hand of fate or web of connectedness keeping everyone together, but...what? I have no clue anymore. But enjoying it thoroughly.

-- Tania Raymonde is my favorite Lost Babe.

-- For the record, I was with Jason's bf in rooting for Ben to shoot. That's the Ben I love. but I must admit I am compelled to see more of the "new" Ben.

-- Kudos to the commenter here (forget who it was) who predicted Illyana was Jacob's daughter. "He was like a father to me" is pretty close!

-- I'm with basically everyone else in feeling that Illyana bugs because we don't know anything about her, but this episode was a step in the right direction. Reserving judgment until she really annoys me.


Ben Morse:

So Ben got another one of those "happy-ish" endings in the sideways world ala Jack, Hurley and Locke and then pretty firmly aligned with Jack's crew. Sayid did not get one and sided with the MIB team. Makes me interesting to see what happens in Sawyer's sideways story and if that will be telling as far as how devoted he is to MIB's cause.

Also interested to see if Kate's sideways ending ends up not so happy and that reflects on where she falls, since given current patterns it would seem she belongs with Jack's crew.

And then the Kwons...


Bob Temuka:

Man, how good was Michael Emerson? For a show that relies on so much plot twists and turns, individual episodes really do live or die depending on the calibre of the actor taking the lead role, and Emerson must be one of the best amongst a generally extraordinary cast.

That bit where he admits he has no place else to go should be cheesy and corny and all that, but he played it so well that I found it genuinely moving. And then at the end, when everybody else is getting their slow motion hugs, he stands alone and looks so small and pitiful, a long, long way from the man who watched that plane break up in the air above him.

And the fact that he goes back to the beach at all was probably my favourite thing. Ben is just one of several characters who look like they're sick of playing the same old games and are stepping aside from the usual betrayals and plans, but his is the most satisfying, probably because it's such a long way from where the character started.

I think the thing I like about the alternate story track is that they're all facing the same sort of challenges and problems they do on the island, but in a real world context. Without all the Island's machinations, they're still forced into making the same kind of decisions in ways we can all identify with, and it's awfully pleasing to see most of them making the right call.

(Okay, Sayid's story wasn't quite real world troubles, but who knows? Maybe it is for ex-Republican Guards...)


Latest theory that just came to me in a flash. No idea if it actually holds up under scrutiny, but I like the way it sounds:

The sideways timeline is a world where Jacob never existed.


-Do you think Widmore was the person Jacob wanted to signal back to the Island?

-The MIB is just offering everybody what they want to hear. Sawyer a way off the island, Sayid his love back, Claire her child, and now Ben is offered control of the Island. I don't doubt MIB's intention is to be free of the island, but when Sawyer's dream and Ben's are at odds with each other, I don't think he's being totally honest with the people he's recruiting about helping them with their goals. We know for sure he was lying and manipulating Claire.

-If there's this whole system of rules for replacements, then was Jacob once a candidate? Or is this current struggle the first time control of the Island has changed hands?

-Jacob must have been anticipating his removal for a long time, since he was manipulating everybody for more than 50 years. Unless he always just has candidates lined up. Maybe that's why he's constantly causing plane wrecks and ship crashes and such? Just in case?


* Justin: (paraphrasing) If (for example) Eko wasn't a Candidate, why go through all the trouble getting him to the Island?

I always assumed everyone needed to be there to move whoever ended up being the KEY people into place.

* Jason: I'm especially curious as well why the hell Rousseau's kid is in LA.

Hell, why is EVERYONE in L.A.? Ethan and Ben, too?

* Tom: I would think folding in new characters into scenes like that is something you'd like because it's more realistic than having the same old characters end up in conflict because they're the main characters.

I know what you're saying--like how I loved The Sopranos because so many bit parts ended up expanding into leading roles. But this is different. Ilana wasn't some extra who they built up, she was dropped in as Important from the get-go. Without fleshing her out a bit, this scene felt a little forced and flat to me.

* Ben and Justin again: Regarding Eko, yeah, obviously they had a bigger plan in mind for him originally. But once they knew he was leaving, they clearly took that ball and ran with it as far as they can. His death was the first evidence we had that the Monster was taking people's forms, in this case his brother's, and by extension reading minds in some way. It was also the first time we saw the Monster really grab someone and kill the hell out of them--didn't it turn into a fist, even? Finally, they made a big point of having Eko say he'd forgiven himself, he was at peace with himself, and that's what prompted the killing blow. So as Justin says, his death definitely means something.

* Sam: Interesting take on the pacing/balance issue.

I like how everyone's comparing Widmore's sub to the one used by the Joker, the Riddler, the Penguin, and Catwoman in the '60s Batman movie. It'd be awesome if that strident Batman villain motif played every time Widmore showed up.

Good call on Jack staying despite the dynamite being exactly what the fans have long clamored for. I wonder how much more talking Richard will do.

Maybe they will delay the Jin/Sun reunion till the end of the season. Maybe they're the new Penny/Desmond!

I assume MIB's offer to Ben was just a ploy to get another stone-cold killer on his side, couched in the kind of terms Ben had always been receptive to in the past.

Tania Raymonde did some serious leaping up the charts in this episode, but my heart still belongs to Elizabeth Mitchell.

Hearing you and Jason (and vicariously Jason's boyfriend) talk about rooting or not rooting for Ben to shoot Ilana made me realize just how much of a possibility that was, that he would have done it in the past (cf. his murder of Locke or that guy who we thought would be a new main character last season), and that he didn't do it here signals a real break for him.

Was it my brother Ryan who thought Ilana was Jacob's daughter?

* Ben again: I think you're right, that the dichotomy between the characters' fates in the flashsidewayses has to do with who they're teaming up with on the Island.

* Bob: Emerson's outstanding, and I'm glad you noted his "the cheese stands alone" moment there at the end, because so much of the strength of his performance comes from his awkwardness. Another example in this episode is the weird way he sticks his arms out from his sides as Ilana is forcing him away from the camp at gunpoint.

* Gardner: Gotta be something like that.

* Charles: I'm hoping Widmore ISN'T the person Jacob wanted to come back to the Island. I kind of think this is a red herring in that regard, but moreover, I want it to be WALT!

I hope the show goes on to imply that the Jacob/MIB conflict is just one in a long line.


I honestly thought Penny and Desmond wouldn't be together again until the big climax of the entire show, which made their reunion at the end of season four so wonderful. (It's still my favourite moment in the entire damn series.)

But now it increasingly looks like they'll be keeping that Sin/Jun moment for the ending, and I'm cool with that. Reunited lovers who have literally crossed oceans of time to be with each other is always good.

I really doubt it was Widmore that Jacob was trying to signal. Charles is one of those great wild cards the series keeps throwing in that messes up all these grand and delicate plans, but he's not really a pivotal point.

Because yeah, I'm with Sean. If Walt suddenly shows up again, that would be just perfect.


COOP:

Widmore was obviously there to pick up Fake Locke! How else is he gonna get off the island?

They weren't stopping at the beach, they had somewhere else to go. (I forget what he said exactly)

Oh, and I also laughed out loud when i saw the periscope POV.


Simon:


I'm going to take this episode as further (but still provisional) confirmation of my theory from last week, which also seems to be pretty consonant with Ben's idea about the flash-sideways outcomes being linked to alignment on the island. more specifically, I think those who side with Jacob are those who successfully CHANGE their natures, and escape their defining flaws in the flash-sideways.

Thus:

Jacob gets: Jack (daddy issues), Ben (power-seeking), Kate (running-- she goes back for Claire), and RealLocke (frustration).

Nemesis gets: Sayid (violence), Sawyer (selfishness). I'm not sure about Claire yet.

I also still think that the pairings with Others matter, given the business with Ethan and Keamy, and the really blatant ways in which they either changed or remained constant in the F/S.



Sean and Charles, you're right, the far more likely possibility is that MIB was just telling Ben what he wanted to hear. Obviously were I on the island I'd end up conned on Hydra too.

I also doubt Jacob was trying to signal Widmore. I kinda doubt he was trying to signal anyone at all. He may just have been tricking Hurley and Jack out of the temple.

(It could have been Ryan who made the call about Ilana...I definitely got that from this site.)


Ben Morse:

Building off what Simon wrote, given that Jin has definitely overcome his nature and flaws perhaps better than anybody else in the series while Sun actually kinda became a worse person during her off-the-island years (by the way, does she EVER think about her kid?), it would be interesting if they end up on separate sides of the civil war, but not the ones they currently reside on.

However, the romantic in me hopes that's not the case.


I'm a hopeless romantic too, but Sun and Jin won't be on separate sides. They only care about being reunited, so are more likely to be on neither side in the end. Which is probably the right side to be, as it has been suggesting fairly heavily for the last couple of seasons that those who don't play the game end up doing quite well outside it.

And Jacob was definitely trying to signal somebody, but he wasn't too worried about the mirror smashing because that somebody will still find a way.

This show doesn't offer up dialogue alluding to somebody important arriving without following up on it, especially at this stage. And it should be somebody more significant than Widmore, who has never been as important as he thinks he is, no matter how rich he is.


Bob, interesting point. Widmore always seemed like the ultimate big bad guy of the series. But with the introduction of Jacob and MIB, he just seems like another frustrated pawn. Is Widmore headed for a Ben Linus-style crisis of faith? THAT would be interesting.


Batshit hypothesis #302,758:

In sideways time, after the sinking of the Island (and gentle corruption of the subsequent timestream, which shuffles the lives of our cast ever so slightly) Hugo is Jacob.


* Bob:

The nice thing about the Penny/Desmond reunion is that if they HAD waited until the end of the show, we'd all be complaining about how dragged out it was. Instead they surprised everyone and in so doing bypassed a typical complaint about the show, which is that everything takes too long. So when i think about the Jin/Sun thing, I wonder if they'll delay it that long after all.

I'm swiping this from Matthew Perpetua, but as COOP says, Widmore seems a lot more likely to be the MIB/Locke's ticket off the Island than he is the guy Jacob's trying to summon. Seems to me like after he was exiled, he went to work for the MIB.

WALT!

* Simon: I wonder if your dichotomy will pan out. I'm still not convinced we're to read that much into Keamy, about whom we knew next to nothing in the original timeline other than that he's violent.

* Ben: Wow, you're right--though she stopped before the point of no return, Sun became the violent jerk Jin had been and now is no longer.

* Bob again:

Agreed, Jin and Sun won't be on opposite sides. I think it'd take one of them getting killed for the other to voluntarily go over to the MIB, but they've already sounded that note with both Sawyer and Sayid.

"Widmore, who has never been as important as he thinks he is, no matter how rich he is." BOOYAH.

* Sam: I'd imagine Widmore already HAD his crisis of faith in Jacob, and is now working for the MIB for that reason.

* rev'D: You crazy!


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