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Murder

An anthology of comics written by Sean T. Collins
Art by Matt Wiegle, Matt Rota, and Josiah Leighton
Designed by Matt Wiegle


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An indie fantasy anthology
Featuring a comic by Sean T. Collins & Matt Wiegle



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The Sean Collins Media Empire
Comics
Destructor Comes to Croc Town
story: Sean T. Collins
art: Matt Wiegle


1995 (NSFW)
script: Sean T. Collins
art: Raymond Suzuhara


Pornography
script: Sean T. Collins
art: Matt Wiegle


It Brought Me Some Peace of Mind
script: Sean T. Collins
art: Matt Rota
edit: Brett Warnock


A Real Gentle Knife
script: Sean T. Collins
art: Josiah Leighton
lyrics: "Rippin Kittin" by Golden Boy & Miss Kittin


The Real Killers Are Still Out There
script: Sean T. Collins
art: Matt Wiegle


Destructor in: Prison Break
story: Sean T. Collins
art: Matt Wiegle


Kitchen Sink script: Sean T. Collins
art: Matt Rota


Best Of
The Outbreak: An Autobiographical Horror Blog

Where the Monsters Go: A 31-Day Horrorblogging Marathon, October 2003

Blog of Blood: A Marathon Examination of Clive Barker's Books of Blood, October 2005

The Blogslinger: Blogging Stephen King's The Dark Tower series, October-November 2007

The Things That Should Not Be: The Monumental Horror-Image and Its Relation to the Contemporary Horror Film (introduction)
PDF

My 35 Favorite Horror Films of All Time (at the moment)

My David Bowie Sketchbook, MoCCA 2007

My David Bowie Sketchbook, SPX 2007

My David Bowie Sketchbook, MoCCA 2008

My David Bowie Sketchbook, San Diego 2008

My David Bowie Sketchbook, SPX 2008

The Manly Movie Mamajama

Presidential Milkshakes

Horror and Certainty I

Horror and Certainty II

En Garde--I'll Let You Try My New Dumb Avant Garde Style, Part I
Part II

Evil for Thee, Not Me

Phobophobia

The 7 Best Horror Movies of the Past 7 Years (give or take a few films)

Keep Horror NSFW, Part I
Part II

Meet the New Boss: The Politics of Killing, Part I
Part II

130 Things I Loved About The Sopranos

In Defense of "Torture Porn," Part I
Part II

At a Loss: Lost fandom and its discontents

I Got Dem Ol' Konfuzin' Event-Komik Blues Again, Mama

The 11 Most Awful Songs from Geek Movie Soundtracks

The 11 Best Songs from Geek Movie Soundtracks

My Loch Ness Adventure

The Best Comics of 2003

The Best Albums of 2003

The Best Albums of 2004

The Best Comics of 2005

The Best Comics of 2006

The Best Comics, Films, Albums, Songs, and Television Programs of 2007

The Best Comics of 2008


Interviews with Sean
Interviews by Sean
Movie Reviews
Barton Fink (Coen, 1991)

Batman Begins (Nolan, 2005)

Battlestar Galactica: Razor (Alcala/Rose, 2007)

Battlestar Galactica: "Revelations" (Rymer, 2008)

Battlestar Galactica Season 4.5 (Moore et al, 2009)

Beowulf (Zemeckis, 2007)

The Birds (Hitchcock, 1963)

The Blair Witch Project (Myrick & Sanchez, 1999)

The Bourne Identity (Liman, 2002)

The Bourne Supremacy (Greengrass, 2004)

The Bourne Ultimatum (Greengrass, 2007)

Casino Royale (Campbell, 2006)

Children of Men (Cuaron, 2006)

Cigarette Burns (Carpenter, 2005)

Cloverfield (Reeves, 2008), Part I
Part II
Part III
Part IV

Crank: High Voltage (Neveldine/Taylor, 2009)

Daredevil (Johnson, 2003)

The Dark Knight (Nolan, 2008)

Dawn of the Dead (Snyder, 2004)

Della'morte, Dell'amore [Cemetery Man] (Soavi, 1994)

Doomsday (Marshall, 2008)

Dragon Wars [D-War] (Shim, 2007)

Eastern Promises (Cronenberg, 2007)

The Exorcist (Friedkin, 1973)

Eyes Wide Shut (Kubrick, 1999)

Eyes Wide Shut revisited, Part I
Part II
Part III

Gossip Girl (Savage, Schwartz et al, 2007-08)

Grindhouse [Planet Terror/Death Proof] (Rodriguez & Tarantino, 2007)

Heavenly Creatures (Jackson, 1994)

Hellboy (Del Toro, 2004)

Hellraiser (Barker, 1987)

A History of Violence (Cronenberg, 2005), Part I
Part II

The Host (Bong, 2006)

Hostel (Roth, 2005)

Hostel: Part II (Roth, 2007)

Hulk (Lee, 2003)

I Am Legend (Lawrence, 2007)

The Incredible Hulk (Leterrier, 2008)

Inside (Maury & Bustillo, 2007)

Iron Man (Favreau, 2008)

It (Wallace, 1990)

Jeepers Creepers (Salva, 2001)

King Kong (Jackson, 2005), Part I
Part II
Part III

Land of the Dead (Romero, 2005)

Let the Right One In (Alfredson, 2008)

The Lord of the Rings: The Return of the King (Jackson, 2003)

Lost: the first five episodes (Abrams, Lindelof et al, 2004)

Lost Season Five (Lindelof, Cuse, Bender et al, 2009)

Lost Highway (Lynch, 1997)

Match Point (Allen, 2006)

The Matrix Revolutions (Wachowski, 2003)

The Mist (Darabont, 2007), Part I
Part II

My Bloody Valentine 3D (Lussier, 2009)

Night of the Living Dead (Romero, 1968)

Pan's Labyrinth (Del Toro, 2006)

Paperhouse (Rose, 1988)

Pirates of the Caribbean: At World's End (Verbinski, 2007) Part I
Part II

Poltergeist (Hooper/Spielberg, 1982)

Quantum of Solace (Forster, 2008)

Rambo (Stallone, 2008)

[REC] (Balaguero & Plaza, 2007)

The Ring (Verbinski, 2002)

The Ruins (Smith, 2008)

Secretary (Shainberg, 2002)

The Shining (Kubrick, 1980)

Shoot 'Em Up (Davis, 2007)

The Silence of the Lambs (Demme, 1991)

The Sopranos (Chase et al, 1999-2007)

Speed Racer (Wachowski, 2008)

The Stand (Garris, 1994), Part I
Part II

The Terminator (Cameron, 1984) Terminator 2: Judgment Day (Cameron, 1991)

Terminator Salvation (McG, 2009)

The Texas Chain Saw Massacre (Hooper, 1974)

There Will Be Blood (Anderson, 2007)

The Thing (Carpenter, 1983)

300 (Snyder, 2007)

"Thriller" (Jackson & Landis, 1984)

28 Days Later (Boyle, 2002)

28 Weeks Later (Fresnadillo, 2007)

Twilight (Hardwicke, 2008)

War of the Worlds (Spielberg, 2005)

Watchmen (Snyder, 2009) Part I
Part II

The Wicker Man (Hardy, 1973)

The Wire (Simon et al, 2002-2008)

Zombi 2 [Zombie] (Fulci, 1980)


Book Reviews
Comics Reviews
Abe Sapien: The Drowning (Mignola & Alexander, 2008)

The ACME Novelty Library #18 (Ware, 2007)

The ACME Novelty Library #19 (Ware, 2008)

Across the Universe: The DC Universe Stories of Alan Moore (Moore et al, 2003)

Action Comics #870 (Johns & Frank, 2008)

The Adventures of Tintin: The Seven Crystal Balls (Herge, 1975)

Against Pain (Rege Jr., 2008)

Alan's War (Guibert, 2008)

Alex Robinson's Lower Regions (Robinson, 2007)

Aline and the Others (Delisle, 2006)

American Splendor: The Life and Times of Harvey Pekar (Pekar et al, 2003)

An Anthology of Graphic Fiction, Cartoons and True Stories (Brunetti et al, 2006)

An Anthology of Graphic Fiction, Cartoons and True Stories Vol. 2 (Brunetti et al, 2008)

The Aviary (Tanner, 2007)

Aqua Leung Vol. 1 (Smith & Maybury, 2008)

Asterios Polyp (Mazzucchelli, 2009)

The Awake Field (Rege Jr., 2006)

Bacter-Area (Keith Jones, 2005)

Bald Knob (Hankiewicz, 2007)

Batman (Simmons, 2007)

Batman #664-669, 672-675 (Morrison et al, 2007-2008)

Batman #681 (Morrison & Daniel, 2008)

Batman and the Monster Men (Wagner, 2006)

Batman: Hush (Loeb & Lee, 2002-03)

Batman: Knightfall Part One: Broken Bat (Dixon, Moench, Aparo, Balent, Breyfogle, Nolan, 1993)

Batman: The Story of the Dark Knight (Cosentino, 2008)

Batman Year 100 (Pope, 2007)

Battlestack Galacti-crap (Chippendale, 2005)

The Beast Mother (Davis, 2006)

The Best American Comics 2006 (A.E. Moore, Pekar et al, 2006)

The Best of the Spirit (Eisner, 2005)

Big Questions #10 (Nilsen, 2007)

Big Questions #11: Sweetness and Light (Nilsen, 2008)

The Black Diamond Detective Agency (E. Campbell & Mitchell, 2007)

Black Ghost Apple Factory (Tinder, 2006)

Black Hole (Burns, 2005) Giant Magazine version

Black Hole (Burns, 2005) Savage Critics version, Part I
Part II

Blankets (Thompson, 2003)

Blar (Weing, 2005)

Bone (Smith, 2005)

Bonus ? Comics (Huizenga, 2009)

Bottomless Bellybutton (Shaw, 2008)

Boy's Club (Furie, 2006)

Boy's Club 2 (Furie, 2008)

B.P.R.D. Vol. 9: 1946 (Mignola, Dysart, Azaceta, 2008)

Breakdowns: Portrait of the Artist as a Young %@&*! (Spiegelman, 2008)

Brilliantly Ham-fisted (Neely, 2008)

Burma Chronicles (Delisle, 2008)

Capacity (Ellsworth, 2008)

Captain America (Brubaker, Epting, Perkins et al, 2004-2008)

Captain America #33-34 (Brubaker & Epting, 2007-08)

Captain Britain & MI:13 #5 (Cornell & Oliffe, 2008)

Cartoon Dialectics Vol. 1 (Kaczynski, 2007)

Chance in Hell (G. Hernandez, 2007)

Clive Barker's The Thief of Always (Oprisko & Hernandez, 2005)

Cockbone (Simmons, 2009)

Cold Heat #1 (BJ & Santoro, 2006)

Cold Heat #2 (BJ & Santoro, 2006)

Cold Heat #4 (BJ & Santoro, 2007)

Cold Heat #5/6 (BJ & Santoro, 2009)

Cold Heat Special #2: The Chunky Gnars (Cornwell, 2007)

Cold Heat Special #3 (Santoro & Shaw, 2008)

Cold Heat Special #5 (Santoro & Smith, 2008)

Cold Heat Special #8 (Santoro & Milburn, 2008)

The Complete Persepolis (Satrapi, 2007)

Core of Caligula (C.F., 2008)

Cry Yourself to Sleep (Tinder, 2006)

Daredevil #103-104 (Brubaker & Lark, 2007-08)

Daredevil #110 (Brubaker, Rucka, Lark, Gaudiano, 2008)

Daybreak Episode Three (Ralph, 2008)

DC Universe #0 (Morrison, Johns et al, 2008)

Death Note Vol. 1 (Ohba & Obata, 2005)

Death Note Vol. 2 (Ohba & Obata, 2005)

The Diary of a Teenage Girl (Gloeckner, 2002)

Dirtbags, Mallchicks & Motorbikes (Kiersh, 2009)

Don't Go Where I Can't Follow (Nilsen & Weaver, 2006)

Dr. Seuss Goes to War (Seuss/Minear, 2001)

Dragon Head Vols. 1-5 (Mochizuki, 2005-2007)

Eightball #23 (Clowes, 2004)

The Exterminators Vol. 1: Bug Brothers (Oliver & Moore, 2006)

Fatal Faux-Pas (Gaskin, 2008)

Fight or Run: Shadow of the Chopper (Huizenga, 2008)

Final Crisis #1 (Morrison & Jones, 2008)

Final Crisis #1-7 (Morrison, Jones, Pacheco, Rudy, Mahnke et al, 2008-2009)

Fires (Mattotti, 1991)

First Time (Sibylline et al, 2009)

Forbidden Worlds #114: "A Little Fat Nothing Named Herbie!" (O'Shea [Hughes] & Whitney, 1963)

Forlorn Funnies #5 (Hornschemeier, 2004)

Fox Bunny Funny (Hartzell, 2007)

Galactikrap 2 (Chippendale, 2007)

Ganges #2 (Huizenga, 2008)

Goddess Head (Shaw, 2006)

The Goddess of War, Vol. 1 (Weinstein, 2008)

The Goon Vols. 0-2 (Powell, 2003-2004)

Hellboy Junior (Mignola, Wray et al, 2004)

Hellboy Vol. 8: Darkness Calls (Mignola & Fegredo, 2008)

How We Sleep (Davis, 2006)

I Killed Adolf Hitler (Jason, 2007)

I Live Here (Kirshner, MacKinnon, Shoebridge, Simons et al, 2008)

I Shall Destroy All the Civilized Planets! (Hanks, Karasik, 2007)

The Immortal Iron Fist #12 (Brubaker, Fraction, Aja, Kano, Pulido, 2008)

The Immortal Iron Fist #21 (Swierczynski & Green, 2008)

In a Land of Magic (Simmons, 2009)

In the Flesh: Stories (Shadmi, 2009)

Incanto (Santoro, 2006)

Incredible Change-Bots (Brown, 2007)

The Incredible Hercules #114-115 (Pak, Van Lente, Pham, 2008)

Invincible Vols. 1-9 (Kirkman, Walker, Ottley, 2003-2008)

Invincible Iron Man #1-4 (Fraction & Larroca, 2008)

Invincible Iron Man #8 (Fraction & Larroca, 2008)

Jessica Farm Vol. 1 (Simmons, 2008)

Jin & Jam #1 (Jo, 2009)

JLA Classified: Ultramarine Corps (Morrison & McGuinness, 2002)

Julius Knipl, Real Estate Photographer (Katchor, 1996)

Justice League: The New Frontier Special (Cooke, Bone, Bullock, 2008)

Kick-Ass #1-4 (Millar & Romita Jr., 2008)

Kid Eternity (Morrison & Fegredo, 1991)

Kill Your Boyfriend (Morrison & Bond, 1995)

Kramers Ergot 4 (Harkham et al, 2003)

Kramers Ergot 5 (Harkham et al, 2004)

Kramers Ergot 6 (Harkham et al, 2006)

Kramers Ergot 7 (Harkham et al, 2008)

The Last Call Vol. 1 (Lolos, 2007)

The Last Lonely Saturday (Crane, 2000)

The Last Musketeer (Jason, 2008)

The League of Extraordinary Gentlemen: Black Dossier (Moore & O'Neill, 2007)

Legion of Super-Heroes: The Great Darkness Saga (Levitz, Giffen, Mahlstedt, Bruning, 1991)

Little Things (Brown, 2008)

Look Out!! Monsters #1 (Grogan, 2008)

Love and Rockets: New Stories #1 (Los Bros Hernandez, 2008)

The Mage's Tower (Milburn, 2008)

Maggots (Chippendale, 2007)

Mattie & Dodi (Davis, 2006)

McSweeney's Quarterly Concern #13 (Ware et al, 2004)

Mesmo Delivery (Grampa, 2008)

Micrographica (French, 2007)

Mome Vol. 4: Spring/Summer 2006 (various, 2006)

Mome Vol. 9: Fall 2007 (various, 2007)

Mome Vol. 10: Winter/Spring 2008 (various, 2008)

Mome Vol. 11: Summer 2008 (various, 2008)

Mome Vol. 12: Fall 2008 (various, 2008)

Mome Vol. 13: Winter 2009 (various, 2008)

Monster Men Bureiko Lullaby (Nemoto, 2008)

Mother, Come Home (Hornschemeier, 2003)

Mouse Guard: Fall 1152 (Petersen, 2008)

Multiple Warheads #1 (Graham, 2007)

My Brain Is Hanging Upside Down (Heatley, 2008)

The Mystery of Woolverine Woo-Bait (Coleman, 2004)

Never Ending Summer (Cole, 2004)

Neverland (Kiersh, 2008)

New Avengers #44 (Bendis & Tan, 2008)

New Construction #2 (Huizenga, May, Zettwoch, 2008)

New Engineering (Yokoyama, 2007)

New X-Men Vol. 6: Planet X (Morrison & Jimenez, 2004)

New X-Men Vol. 7: Here Comes Tomorrow (Morrison & Silvestri, 2004)

Nil: A Land Beyond Belief (Turner, 2007)

Nocturnal Conspiracies (David B., 2008)

Ojingogo (Forsythe, 2008)

Olde Tales Vol. II (Milburn, 2007)

Or Else #5 (Huizenga, 2008)

The Other Side #1-2 (Aaron & Stewart, 2005)

Owly Vol. 4: A Time to Be Brave (Runton, 2007)

Owly Vol. 5: Tiny Tales (Runton, 2008)

Paradise Kiss Vols. 1-5 (Yazawa, 2002-2004)

Pixu I (Ba, Cloonan, Lolos, Moon, 2008)

Pizzeria Kamikaze (Keret & A. Hanuka, 2006)

Planetary Book 3: Leaving the 20th Century (Ellis & Cassaday, 2005)

Planetes Vols. 1-3 (Yukimura, 2003-2004)

The Plot: The Secret Story of The Protocols of the Elders of Zion (Eisner, 2005)

Pocket Full of Rain and Other Stories (Jason, 2008)

Powr Mastrs Vol. 1 (C.F., 2007)

Powr Mastrs Vol. 2 (C.F., 2008)

Real Stuff (Eichhorn et al, 2004)

Ronin (Miller, 1984)

Rumbling Chapter Two (Huizenga, 2009)

Scott Pilgrim Full-Colour Odds & Ends 2008 (O'Malley, 2008)

Scott Pilgrim Vol. 4: Scott Pilgrim Gets It Together (O'Malley, 2007)

Scott Piglrim Vol. 5: Scott Pilgrim vs. the Universe (O'Malley, 2008)

Service Industry (Bak, 2007)

Seven Soldiers of Victory Vols. 1-4 (Morrison et al, 2004)

Shenzhen (Delisle, 2008)

Skyscrapers of the Midwest (Cotter, 2008)

Skyscrapers of the Midwest #4 (Cotter, 2007)

Snake 'n' Bacon's Cartoon Cabaret (Kupperman, 2000)

Speak of the Devil (G. Hernandez, 2008)

Strangeways: Murder Moon (Maxwell, Garagna, Gervasio, Jok, 2008)

Sulk Vol. 1: Bighead & Friends (J. Brown, 2009)

Sulk Vol. 2: Deadly Awesome (J. Brown, 2009)

Superman #677-680 (Robinson & Guedes, 2008)

Supermen! The First Wave of Comic Book Heroes 1936-1941 (Sadowski et al, 2009)

Tales Designed to Thrizzle #4 (Kupperman, 2008)

Tales Designed to Thrizzle #5 (Kupperman, 2009)

Tales of Woodsman Pete (Carre, 2006)

Tekkon Kinkreet: Black and White (Matsumoto, 2007)

Teratoid Heights (Brinkman, 2003) ADDTF version

Teratoid Heights (Brinkman, 2003) TCJ version

They Moved My Bowl (Barsotti, 2007)

Thor: Ages of Thunder (Fraction, Zircher, Evans, 2008)

Three Shadows (Pedrosa, 2008)

Tokyo Tribes Vols. 1 & 2 (Inoue, 2005)

Top 10: The Forty-Niners (Moore & Ha, 2005)

Travel (Yokoyama, 2008)

Ultimate Spider-Man #131 (Bendis & Immonen, 2009)

Watchmen (Moore & Gibbons, 1987) Part I
Part II

Water Baby (R. Campbell, 2008)

Wet Moon, Book 1: Feeble Wanderings (Campbell, 2004)

Wet Moon, Book 2: Unseen Feet (Campbell, 2006)

Where Demented Wented (Hayes, 2008)

Wormdye (Espey, 2008)

Worn Tuff Elbow (Marc Bell, 2004)

The Would-Be Bridegrooms (Cheng, 2007)

Your Disease Spread Quick (Neely, 2008)

The Trouble with The Comics Journal's News Watch, Part I
Part II


Recommended

KEEP COMICS EVIL


Towards a Horror Blogosphere? Part 2 (Attentiondeficitdisorderly Too Flat)

April 1, 2008

Towards a Horror Blogosphere? Part 2

Curt at Groovy Age has posted the latest installment in an ongoing conversation regarding the state of the horror blogosphere and the role a prominent, hosted linkblog could play in its maturation. In this go-round, I am particularly fond of his rationale for wanting a more cohesive blogosphere for the genre in the first place:

I think there's a massive horror fan-base that's almost entirely oblivious to the existence of horror blogs, and I suspect that's largely because we remain "a bunch of intense loners off in their own corners." My hunch is that if we pulled together and achieved some kind of critical mass, we'd make a much bigger splash in horror fandom. Which is another way of saying, the audience most likely to appreciate and embrace what we're doing would actually begin to find its way to us in increasingly significant numbers.

Yeah, numbers. There, I said it. A thousand or a hundred or even just ten more people every day sitting down with their morning coffee or evening drink, visiting my blog in eager anticipation, and smiling at what they see or read? A thousand or a hundred or even just ten more heads nodding or shaking when I spin out my theories on horror and genre? A thousand or a hundred or even just ten more personal tastes educated to appreciate the kind of vintage horror I love so much? A thousand or a hundred or even just ten more pairs of eyeballs on reviews of current writers or artists I'm excited about and trying to promote? Hell yeah, you're goddamn right I want that! And so would those thousand or hundred or even just ten more people, if only they had some clue that Groovy Age existed.

I REALLY appreciate the rationale he gives for wanting to develop a horror blogosphere--essentially, simply giving horror fans access to a different array of voices and approaches to the genre than they're probably getting right now.

I think what burned me a bit on the comics blogosphere--and don't get me wrong, I still read dozens every day while reading nearly zero comics magazines or websites proper--is this sense of "blogger triumphalism" that arose when it became apparent that comics blogs as a collective entity had a substantial readership and therefore could actually have an impact on the areas they cover. Because comics blogs became able to drive conversation about comics online, I think they (and I) developed a sense of self-importance that does not become them, which manifests itself in all different ways: A need to comment in backseat-driver/armchair-quarterback fashion on industry and artistic issues that the blogger may know little or nothing about; a tendency toward tempest-in-a-teapot outrage over the latest stupid move by the corporate publishers; falling into the hype cycle of PR because a given book is the new big thing and as "industry players" the blogs feel that they should be covering it; a tendency to overinflate their own importance and impact, etc. I was certainly guilty of all of this in my comicsblogging days. When I returned to blogging after my brief hiatus and started reading horror blogs and doing one myself, I remember consciously thinking how refreshing it was that no horror bloggers actually felt any kind of proprietary role in the horror industry, and were simply commenting on it from the perspective of well-informed buffs as opposed to the wannabe captains of industry who populate the comics blogosphere, myself included again. So, calls for a more concentrated horror blogosphere have turned me off.

But what Curt calling for is keeping the horse in front of the cart in terms of the importance of readership. He's not saying that we should have a horror blogosphere because of what we horrorbloggers could get out of having an increased readership, he's saying we should have one because of what an increased readership could get out of us. And I think that's absolutely spot-on. I mean, if you're a horror fan and you're looking to read informed, intelligent, and idiosyncratic commentary about genre efforts, you basically have, what, Rue Morgue and whatever decent reviews/criticism/essays you can find in the mainstream media. The online non-blog scene is pretty dire, and Curt's right, I don't think most fans really know about the blogs at all. It would be nice if people had an alternative to the big sites! And as I've said, Curt (who kindly attributes the genesis of this whole discussion to reading various things I've written) is quite right to say that a big Journalista-style horror linkblog would help shore up such an alternative.

But the problems with a collective-identity blogosphere I listed above still would remain, most likely. Moreover, while Curt's call for a linkblog with a strong personality is no doubt intended to stave off the kind of "hey here's the news on every single movie with a decapitation in it no matter how unwatchable" feel of the big horror sites and other qualitative linkblogging hazards, I actually think that popular personality-driven linkblogs can exacerbate the blogospheric problems I mentioned earlier rather than ameliorate them. The main difficulty is that points of view that seem unobjectionable or even noble in principle can easily devolve into sweeping generalizations or calcified thou-shalt-nots. Meanwhile, sensible aesthetic advocacy can make a clumsy transition into ill-conceived industry second-guessing--the kind of situation where people who note a particular creator or subgenre's quality go on to demand that the entire industry abandon whatever business models had been working for it up until now in favor of a new approach that benefits that creator/subgenre, or pleases people who are fans of that creator/subgenre, or simply shames those who aren't. In that sense, popular linkblogs can even magnify that tendency since their voices are so much louder, shaping the discussion both in terms of links they select as noteworthy and the commentary they provide about them. I mean, that's true of any blog of any kind, but it's enhanced with the clearinghouse-linkblog type of blog.

All that being said, I now find myself in love with the idea of a Comics Reporter-style link'n'news blog with an old-fashioned creature-feature horror host personality. We need a Web 2.0 Zacherle!

PS: I am going to try to enable comments once again, but this post will be going up while I lay me down to sleep and it's entirely possible I'll discover that the comments aren't working when I wake up--they haven't in months so I don't really figure they'll start now. But it's worth a shot. Just know that if your comment is in a moderation queue, that means my comment feature is in fact busted.

Comments (4)

Sean:

Hey, lookit this!


NOT a dream! Not an imaginary story!

Hopefully NOT an April Fool's Joke.


J. E. Bennett:

I wonder if horror blogging would have the same pitfalls as comics, though? Horror, and those who write/talk/blog about it seem by their nature to be much more relaxed and self-ribbing than the baseline. I mean, its a genre about grisly, cheesy, silly, fun, horrible, things.

But that may just be me.


Man, I've got to get out more. This discussion is perking up my gray cells. I thought I'd start a simple pat-on-the-back group of united bloggers who love horror, but Curt had to go spoil it by getting all deep-thinking, which is fostering more deep-thinking. I didn't think of the comics angle, though, and it's a really good one.

I stopped reading most comics bloggers because I noticed a pompous tone of self-righteous egocentrism (agree with me or die). Reading these observations I now realize that I wasn't entirely off the mark there.

I like to think that most horror bloggers are pretty relaxed, goofy, and self-aware that it's all schlocky fun at the bottom of the bog. Okay, at least I'm relaxed, goofy, and self-aware it's all cheese whiz and salsa dip.

Still, there's lots to consider. I know one thing for certain, though: I miss Where the Monsters Go. Maybe we can round them up again and have some fun.


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